Well, I can understand Lebon... I like Inaba's solo but he alone doesn't have that special aura B'z have. And the same goes for Tak's solo too.
Anyway, I still have to pre-order Okay, I'm waiting for YesAsia free shipping XD
And I want to buy the European version of Take your pick... Probably will be less expensive and they'll see there is some insterest here too.
I think B'z is more commercial and has to respect some commercial rules.
But Inaba in solo has more freedom for two reasons. He doesn't have the commercial pressure that B'z has always on the shoulders.
And musically he can do as he wants while with B'z he must always follow the musical wish of Matsumoto.
I think he knows very well how to write lines on Matsumoto's music but he's not free enough to totally express himself.
That freedom and free expression are what we hear in his solo works and it's really good to hear.
I must say meanwhile that Inaba must also little by little obey commercial rules. In 1997 he could release an album, Magma, without any single. And it's maybe his best solo album. Now it seems that he must release a single as substitute for B'z while Matsumoto is releasing an instrumental album with no single.
On his second album Shian, he did an opennig song for an anime, and I really think that this song Overture is the weakest of the album. Because it's made to please the audience. (especially if you compare with Touch on the same album) I fear he has done the same thing this year with kono te wo totte hashiridashite.
Well, we can't expect an incredible song from a title done for a TV show...
We know B'z does compromises and does it well but I like very much Inaba's solo because I feel it could be the music B'z could make with less compromises and if Matsumoto would not do all by himself.
But this single Okay has two tracks done with Stevie Salas, and the american rocker is a guarantee for strong rock music. So it's okay...